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SUMMARY:Roundtable by the 92nd Street Y: Great Composer Pianists\, Lecture 3 - Fryderyk Chopin
DESCRIPTION:https://www.roundtable.org/live-courses/music/great-composer-pianists-mozart-beethoven-chopin-and-brahms\n			\n				\n				\n				\n				\n				\n\n\n\n\n“The tone he could draw from the instrument\, especially in cantabiles\, was always immense…He gave a noble manly energy to appropriate passages with overpowering effect – energy without roughness – just as\, on the other hand\, he could captivate the listener through the delicacy of his soulful rendering – delicacy without affectation. For all the warmth of Chopin’s temperament\, his playing was always measured\, chaste\, distinguished and at times even severely reserved.” Because of both his fragile health and the exquisite patina of his style\, our understanding of Chopin’s playing is sometimes clouded by romantic myth. While he really only enjoyed performing for private audiences\, the many reports we have show him to have been a mesmerizing performer with a piano technique and harmony so revolutionary that it left his brilliant friend Franz Liszt scrambling to keep up! \n\n\n\n\n\n——————————————————————————————————————————————— \nJoin talented speaker and pianist Rachel Franklin to take a unique look at the monumental keyboard talents of four great composer/pianists\, Wolfgang Amadeus Mozart\, Ludwig van Beethoven\, Fryderyk Chopin\, and Johannes Brahms\, and how that performing virtuosity influenced the piano works we enjoy today. With a legacy of printed compositions but no recordings\, how can we get closer to those white-hot moments of creation when these artists poured out their genius for fortunate and astonished listeners? How did both the composer’s imagination and personal physique relate to developing piano design\, and which came first? And did audiences even comprehend what they were hearing? \nFranklin will trace Mozart’s beginnings as a harpsichord player to his pivot to pianofortes\, ultimately creating new concerto styles that both dazzled and confused his audiences. Beethoven innovated entirely new piano techniques almost by accident as he fought to express his titanic ideas on the instrument while constantly harassing piano makers for stronger instruments and dealing with encroaching deafness. Chopin\, meanwhile\, is often romanticized as a mesmerizing performer with a revolutionary piano technique and harmony. Finally\, Brahms trained intensely as a pianist and all his compositions demand a massive and highly-controlled technique. He\, along with his muse Clara Schumann\, taught many students whose playing was subsequently captured by early recording\, allowing us a tantalizing glimpse into the performing styles of the 19th century.
URL:https://rachelfranklin.com/event/roundtable-by-the-92nd-street-y-great-composer-pianists-lecture-3-fryderyk-chopin/
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