BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Rachel Franklin - ECPv6.17.4.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Rachel Franklin X-ORIGINAL-URL:https://rachelfranklin.com X-WR-CALDESC:Events for Rachel Franklin REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20250309T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20251102T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20260308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20261101T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20270314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20271107T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20260901T183000 DTEND;TZID=America/New_York:20260901T203000 DTSTAMP:20260809T150221Z CREATED:20260809T150217Z LAST-MODIFIED:20260809T150221Z UID:5163-1788287400-1788294600@rachelfranklin.com SUMMARY:Smithsonian Associates: Antonio Vivaldi - Revival of a Baroque Genius DESCRIPTION:https://smithsonianassociates.org/ticketing/programs/antonio-vivaldi\n \n \n \n \n \n Antonio Vivaldi’s music is so beloved today that it’s hard to imagine he was virtually forgotten for nearly two centuries. In his day\, the fiery-haired\, virtuoso violinist and Catholic priest was celebrated for his striking innovations in Baroque form\, but after his death much of the work of the “Red Priest” vanished from performance. \nA remarkable rediscovery of manuscripts in the 20th century swept his genius back to concert stages worldwide and revealed the astonishing scope of his creativity. From the vivid musical storytelling of The Four Seasons\, inspiring choral masterpieces such as his Gloria\, and his hundreds of concertos and operas\, Vivaldi’s legacy now stands as one of the defining achievements of the Baroque era. Combining an illustrated lecture with live piano demonstrations\, popular speaker and concert pianist Rachel Franklin explores Vivaldi’s restless\, colorful life\, his groundbreaking musical style\, and the fascinating story of how his music made one of the greatest comebacks in cultural history. \nBritish-born Franklin has been a featured speaker for organizations including the Library of Congress and NPR\, exploring intersections among classical and jazz music\, film scores\, and the fine arts. URL:https://rachelfranklin.com/event/smithsonian-associates-antonio-vivaldi-revival-of-a-baroque-genius/ ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2026/08/Vivaldi.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260827T130000 DTEND;TZID=America/New_York:20260827T140000 DTSTAMP:20260809T143233Z CREATED:20260809T143201Z LAST-MODIFIED:20260809T143233Z UID:5148-1787835600-1787839200@rachelfranklin.com SUMMARY:Roundtable by the 92nd Street Y: Great Composer Pianists\, Lecture 3 - Fryderyk Chopin DESCRIPTION:https://www.roundtable.org/live-courses/music/great-composer-pianists-mozart-beethoven-chopin-and-brahms\n \n \n \n \n \n \n\n\n\n\n“The tone he could draw from the instrument\, especially in cantabiles\, was always immense…He gave a noble manly energy to appropriate passages with overpowering effect – energy without roughness – just as\, on the other hand\, he could captivate the listener through the delicacy of his soulful rendering – delicacy without affectation. For all the warmth of Chopin’s temperament\, his playing was always measured\, chaste\, distinguished and at times even severely reserved.” Because of both his fragile health and the exquisite patina of his style\, our understanding of Chopin’s playing is sometimes clouded by romantic myth. While he really only enjoyed performing for private audiences\, the many reports we have show him to have been a mesmerizing performer with a piano technique and harmony so revolutionary that it left his brilliant friend Franz Liszt scrambling to keep up! \n\n\n\n\n\n——————————————————————————————————————————————— \nJoin talented speaker and pianist Rachel Franklin to take a unique look at the monumental keyboard talents of four great composer/pianists\, Wolfgang Amadeus Mozart\, Ludwig van Beethoven\, Fryderyk Chopin\, and Johannes Brahms\, and how that performing virtuosity influenced the piano works we enjoy today. With a legacy of printed compositions but no recordings\, how can we get closer to those white-hot moments of creation when these artists poured out their genius for fortunate and astonished listeners? How did both the composer’s imagination and personal physique relate to developing piano design\, and which came first? And did audiences even comprehend what they were hearing? \nFranklin will trace Mozart’s beginnings as a harpsichord player to his pivot to pianofortes\, ultimately creating new concerto styles that both dazzled and confused his audiences. Beethoven innovated entirely new piano techniques almost by accident as he fought to express his titanic ideas on the instrument while constantly harassing piano makers for stronger instruments and dealing with encroaching deafness. Chopin\, meanwhile\, is often romanticized as a mesmerizing performer with a revolutionary piano technique and harmony. Finally\, Brahms trained intensely as a pianist and all his compositions demand a massive and highly-controlled technique. He\, along with his muse Clara Schumann\, taught many students whose playing was subsequently captured by early recording\, allowing us a tantalizing glimpse into the performing styles of the 19th century. URL:https://rachelfranklin.com/event/roundtable-by-the-92nd-street-y-great-composer-pianists-lecture-3-fryderyk-chopin/ ATTACH;FMTTYPE=image/png:https://rachelfranklin.com/wp-content/uploads/2026/08/GreatComposerPianists.png ORGANIZER;CN="Roundtable by the 92nd Street Y":MAILTO:hello@roundtable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260820T130000 DTEND;TZID=America/New_York:20260820T140000 DTSTAMP:20260809T142904Z CREATED:20260809T142750Z LAST-MODIFIED:20260809T142904Z UID:5141-1787230800-1787234400@rachelfranklin.com SUMMARY:Roundtable by the 92nd Street Y: Great Composer Pianists\, Lecture 2 - Ludwig van Beethoven DESCRIPTION:https://www.roundtable.org/live-courses/music/great-composer-pianists-mozart-beethoven-chopin-and-brahms\n \n \n \n \n \n \n\n\n\n\n“His improvisation was most brilliant and striking. In whatever company he might chance to be\, he knew how to produce such an effect upon every hearer that frequently not an eye remained dry\, while many would break out into large sobs; for there was something wonderful in his expression in addition to the beauty and originality of his ideas and his spirited style of rendering them. After ending an improvisation of this kind he would burst into loud laughter and banter his hearers on the emotion he had caused in them. “You are fools!” he would say. “Who could live among such spoiled children?” he would cry…” Mozart may have enchanted his listeners\, but Beethoven overwhelmed and frequently disturbed them. While constantly harassing piano makers for stronger instruments and dealing with encroaching deafness\, Beethoven created entirely new piano techniques almost by accident as he fought to express his titanic ideas on the instrument. \n\n\n\n\n\n——————————————————————————————————————————————— \nJoin talented speaker and pianist Rachel Franklin to take a unique look at the monumental keyboard talents of four great composer/pianists\, Wolfgang Amadeus Mozart\, Ludwig van Beethoven\, Fryderyk Chopin\, and Johannes Brahms\, and how that performing virtuosity influenced the piano works we enjoy today. With a legacy of printed compositions but no recordings\, how can we get closer to those white-hot moments of creation when these artists poured out their genius for fortunate and astonished listeners? How did both the composer’s imagination and personal physique relate to developing piano design\, and which came first? And did audiences even comprehend what they were hearing? \nFranklin will trace Mozart’s beginnings as a harpsichord player to his pivot to pianofortes\, ultimately creating new concerto styles that both dazzled and confused his audiences. Beethoven innovated entirely new piano techniques almost by accident as he fought to express his titanic ideas on the instrument while constantly harassing piano makers for stronger instruments and dealing with encroaching deafness. Chopin\, meanwhile\, is often romanticized as a mesmerizing performer with a revolutionary piano technique and harmony. Finally\, Brahms trained intensely as a pianist and all his compositions demand a massive and highly-controlled technique. He\, along with his muse Clara Schumann\, taught many students whose playing was subsequently captured by early recording\, allowing us a tantalizing glimpse into the performing styles of the 19th century. URL:https://rachelfranklin.com/event/roundtable-by-the-92nd-street-y-great-composer-pianists-lecture-2-ludwig-van-beethoven/ ATTACH;FMTTYPE=image/png:https://rachelfranklin.com/wp-content/uploads/2026/08/GreatComposerPianists.png ORGANIZER;CN="Roundtable by the 92nd Street Y":MAILTO:hello@roundtable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260818T120000 DTEND;TZID=America/New_York:20260818T133000 DTSTAMP:20260809T144441Z CREATED:20260809T144437Z LAST-MODIFIED:20260809T144441Z UID:5157-1787054400-1787059800@rachelfranklin.com SUMMARY:Smithsonian Associates: Manuel de Falla at 150 - Modernism\, Mysticism\, and the Musical Spirit of Spain DESCRIPTION:https://smithsonianassociates.org/ticketing/programs/manuel-de-falla-at-150\n \n \n \n \n \n Marking the 150th anniversary of pivotal 20th-century Spanish composer Manuel de Falla’s birth\, popular speaker and concert pianist Rachel Franklin combines an illustrated lecture with live piano demonstrations to bring to life a slight\, almost Chaplinesque figure whose music pulses with sensuality and spiritual intensity. Deeply sensitive\, devout\, and more than a little superstitious\, de Falla transformed the evocative folk sounds of his native Andalusia into Modernist works of extraordinary color\, wit\, and drama. \nFrom his roots in Cádiz\, to Paris where he collaborated with the revolutionary Ballets Russes\, and finally into exile in Argentina\, Franklin examines how de Falla forged his unique\, seductive voice with such enchanting stage and concert pieces as El amor brujo\, La vida breve\, and Noches en los jardines de España. \nBritish-born Franklin has been a featured speaker for organizations including the Library of Congress and NPR\, exploring intersections among classical and jazz music\, film scores\, and the fine arts. URL:https://rachelfranklin.com/event/smithsonian-associates-manuel-de-falla-at-150-modernism-mysticism-and-the-musical-spirit-of-spain/ ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2026/08/Flamenco.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260813T130000 DTEND;TZID=America/New_York:20260813T140000 DTSTAMP:20260809T141741Z CREATED:20260809T141738Z LAST-MODIFIED:20260809T141741Z UID:5131-1786626000-1786629600@rachelfranklin.com SUMMARY:Roundtable by the 92nd Street Y: Great Composer Pianists\, Lecture 1 - Wolfgang Amadeus Mozart DESCRIPTION:https://www.roundtable.org/live-courses/music/great-composer-pianists-mozart-beethoven-chopin-and-brahms\n \n \n \n \n \n \n\n\n\n\n“Kapellmeister Mozart’s…The hour of music I heard there was the happiest ever granted me. This little man and great master improvised twice…so wonderfully! so wonderfully! that I did not know where I was….He wove together the most difficult passages and the most ingratiating themes…” Mozart’s playing was regarded as simply wondrous. We examine his beginnings as a harpsichord player and how he subsequently pivoted directly to the recently-developed pianofortes\, creating new concerto styles that both dazzled and confused his audiences. \n\n\n\n\n\n——————————————————————————————————————————————— \nJoin talented speaker and pianist Rachel Franklin to take a unique look at the monumental keyboard talents of four great composer/pianists\, Wolfgang Amadeus Mozart\, Ludwig van Beethoven\, Fryderyk Chopin\, and Johannes Brahms\, and how that performing virtuosity influenced the piano works we enjoy today. With a legacy of printed compositions but no recordings\, how can we get closer to those white-hot moments of creation when these artists poured out their genius for fortunate and astonished listeners? How did both the composer’s imagination and personal physique relate to developing piano design\, and which came first? And did audiences even comprehend what they were hearing? \nFranklin will trace Mozart’s beginnings as a harpsichord player to his pivot to pianofortes\, ultimately creating new concerto styles that both dazzled and confused his audiences. Beethoven innovated entirely new piano techniques almost by accident as he fought to express his titanic ideas on the instrument while constantly harassing piano makers for stronger instruments and dealing with encroaching deafness. Chopin\, meanwhile\, is often romanticized as a mesmerizing performer with a revolutionary piano technique and harmony. Finally\, Brahms trained intensely as a pianist and all his compositions demand a massive and highly-controlled technique. He\, along with his muse Clara Schumann\, taught many students whose playing was subsequently captured by early recording\, allowing us a tantalizing glimpse into the performing styles of the 19th century. URL:https://rachelfranklin.com/event/roundtable-by-the-92nd-street-y-great-composer-pianists-lecture-1-wolfgang-amadeus-mozart/ ATTACH;FMTTYPE=image/png:https://rachelfranklin.com/wp-content/uploads/2026/08/GreatComposerPianists.png ORGANIZER;CN="Roundtable by the 92nd Street Y":MAILTO:hello@roundtable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260614T140000 DTEND;TZID=America/New_York:20260614T143000 DTSTAMP:20250913T182401Z CREATED:20250913T182357Z LAST-MODIFIED:20250913T182401Z UID:4826-1781445600-1781447400@rachelfranklin.com SUMMARY:Rachel Franklin for the Baltimore Symphony Orchestra: Inside the Classics DESCRIPTION:https://www.bsomusic.org/inside-the-classics/\n \n \n \n \n \n Dr. Rachel Franklin is delighted to be the Baltimore Symphony Orchestra’s Strathmore Music Scholar-in-Residence. She gives all the BSO’s pre-concert presentations at their Bethesda\, MD venue\, Strathmore Hall as part of their “Inside the Classics” series. URL:https://rachelfranklin.com/event/rachel-franklin-for-the-baltimore-symphony-orchestra-inside-the-classics-36/ LOCATION:Music Center at Strathmore\, 5301 Tuckerman Ln\, North Bethesda\, MD\, 20852\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2024/12/BaltimoreSymphonyOrchestra.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260606T190000 DTEND;TZID=America/New_York:20260606T193000 DTSTAMP:20250913T182305Z CREATED:20250913T182302Z LAST-MODIFIED:20250913T182305Z UID:4824-1780772400-1780774200@rachelfranklin.com SUMMARY:Rachel Franklin for the Baltimore Symphony Orchestra: Inside the Classics DESCRIPTION:https://www.bsomusic.org/inside-the-classics/\n \n \n \n \n \n Dr. Rachel Franklin is delighted to be the Baltimore Symphony Orchestra’s Strathmore Music Scholar-in-Residence. She gives all the BSO’s pre-concert presentations at their Bethesda\, MD venue\, Strathmore Hall as part of their “Inside the Classics” series. URL:https://rachelfranklin.com/event/rachel-franklin-for-the-baltimore-symphony-orchestra-inside-the-classics-35/ LOCATION:Music Center at Strathmore\, 5301 Tuckerman Ln\, North Bethesda\, MD\, 20852\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2024/12/BaltimoreSymphonyOrchestra.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260528T190000 DTEND;TZID=America/New_York:20260528T193000 DTSTAMP:20250913T182219Z CREATED:20250913T182216Z LAST-MODIFIED:20250913T182219Z UID:4822-1779994800-1779996600@rachelfranklin.com SUMMARY:Rachel Franklin for the Baltimore Symphony Orchestra: Inside the Classics DESCRIPTION:https://www.bsomusic.org/inside-the-classics/\n \n \n \n \n \n Dr. Rachel Franklin is delighted to be the Baltimore Symphony Orchestra’s Strathmore Music Scholar-in-Residence. She gives all the BSO’s pre-concert presentations at their Bethesda\, MD venue\, Strathmore Hall as part of their “Inside the Classics” series. URL:https://rachelfranklin.com/event/rachel-franklin-for-the-baltimore-symphony-orchestra-inside-the-classics-34/ LOCATION:Music Center at Strathmore\, 5301 Tuckerman Ln\, North Bethesda\, MD\, 20852\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2024/12/BaltimoreSymphonyOrchestra.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260516T190000 DTEND;TZID=America/New_York:20260516T193000 DTSTAMP:20250913T182141Z CREATED:20250913T182138Z LAST-MODIFIED:20250913T182141Z UID:4820-1778958000-1778959800@rachelfranklin.com SUMMARY:Rachel Franklin for the Baltimore Symphony Orchestra: Inside the Classics DESCRIPTION:https://www.bsomusic.org/inside-the-classics/\n \n \n \n \n \n Dr. Rachel Franklin is delighted to be the Baltimore Symphony Orchestra’s Strathmore Music Scholar-in-Residence. She gives all the BSO’s pre-concert presentations at their Bethesda\, MD venue\, Strathmore Hall as part of their “Inside the Classics” series. URL:https://rachelfranklin.com/event/rachel-franklin-for-the-baltimore-symphony-orchestra-inside-the-classics-33/ LOCATION:Music Center at Strathmore\, 5301 Tuckerman Ln\, North Bethesda\, MD\, 20852\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2024/12/BaltimoreSymphonyOrchestra.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260509T190000 DTEND;TZID=America/New_York:20260509T201500 DTSTAMP:20260429T011438Z CREATED:20260412T212143Z LAST-MODIFIED:20260429T011438Z UID:5112-1778353200-1778357700@rachelfranklin.com SUMMARY:Rachel Franklin - Piano Recital DESCRIPTION:https://www.cathedral.im/news/rachel-franklin-piano-recital-saturday-9-may-at-7-30pm\n \n \n \n \n \n Rachel Franklin was born in London and studied at the Yehudi Menuhin School\, the Royal College of Music and the Peabody Conservatory of Music\, Baltimore. A distinguished concert and jazz pianist\, Rachel is now based in Maryland\, USA\, where she is Music Scholar in Residence with the Baltimore Symphony Orchestra. She has given recitals in a number of international venues\, including the Carnegie Hall\, New York\, the Jordan Hall\, Boston\, and the Wigmore Hall\, London\, and she has broadcast widely in the USA\, the United Kingdom and Ireland. \nWe are delighted that Rachel’s recital on Saturday 9 May will be the inaugural concert on the Challen Piano\, the gift of the Isle of Man Arts Council\, which came to the cathedral in 2025 from its previous home at the Erin Arts Centre. \nRachel’s programme will include music by Chopin\, Debussy\, Rachmaninov\, Kurt Weill and Duke Ellington. \nAdmission is free. The audience is invited to make donations towards the cathedral’s music programme. URL:https://rachelfranklin.com/event/censored-voices-silent-no-more-preconcert-lecture-2/ LOCATION:Cathedral of Peel\, Isle of Man\, 68C5+PGH\, Derby Rd\, Peel\, Isle of Man ATTACH;FMTTYPE=application/pdf:https://rachelfranklin.com/wp-content/uploads/2026/04/Rachel-Franklin-Poster.pdf END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260503T190000 DTEND;TZID=America/New_York:20260503T210000 DTSTAMP:20260412T213400Z CREATED:20260412T211511Z LAST-MODIFIED:20260412T213400Z UID:5107-1777834800-1777842000@rachelfranklin.com SUMMARY:Censored Voices: Silent No More DESCRIPTION:https://my.bsomusic.org/20520/\n \n \n \n \n \n EGC Productions\, in partnership with the Baltimore Symphony Orchestra\, presents powerful chamber program featuring works by Russian composers silenced but who nonetheless produced extraordinary classical music. \nThe preconcert lecture at 5.30pm with Dr. Rachel Franklin\, Strathmore Music Scholar in Residence for the Baltimore Symphony Orchestra\, invites audiences into the stories behind the music—illuminating how each composer confronted censorship in their own time and responded with courage\, creativity\, and conviction. URL:https://rachelfranklin.com/event/censored-voices-silent-no-more/ LOCATION:National Presbyterian Church\, 4101 Nebraska Ave NW\, Washington\, DC\, 20016\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2026/04/CensoredVoices_SilentNoMore.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260503T173000 DTEND;TZID=America/New_York:20260503T180000 DTSTAMP:20260412T213458Z CREATED:20260412T204303Z LAST-MODIFIED:20260412T213458Z UID:5092-1777829400-1777831200@rachelfranklin.com SUMMARY:Censored Voices: Silent No More - Preconcert Lecture DESCRIPTION:https://my.bsomusic.org/20520/\n \n \n \n \n \n EGC Productions\, in partnership with the Baltimore Symphony Orchestra\, presents powerful chamber program featuring works by Russian composers silenced but who nonetheless produced extraordinary classical music. \nThe preconcert lecture at 5.30pm with Dr. Rachel Franklin\, Strathmore Music Scholar in Residence for the Baltimore Symphony Orchestra\, invites audiences into the stories behind the music—illuminating how each composer confronted censorship in their own time and responded with courage\, creativity\, and conviction. URL:https://rachelfranklin.com/event/censored-voices-silent-no-more-preconcert-lecture/ LOCATION:National Presbyterian Church\, 4101 Nebraska Ave NW\, Washington\, DC\, 20016\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2026/04/CensoredVoices_SilentNoMore.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260503T140000 DTEND;TZID=America/New_York:20260503T143000 DTSTAMP:20250913T182049Z CREATED:20250913T182046Z LAST-MODIFIED:20250913T182049Z UID:4818-1777816800-1777818600@rachelfranklin.com SUMMARY:Rachel Franklin for the Baltimore Symphony Orchestra: Inside the Classics DESCRIPTION:https://www.bsomusic.org/inside-the-classics/\n \n \n \n \n \n Dr. Rachel Franklin is delighted to be the Baltimore Symphony Orchestra’s Strathmore Music Scholar-in-Residence. She gives all the BSO’s pre-concert presentations at their Bethesda\, MD venue\, Strathmore Hall as part of their “Inside the Classics” series. URL:https://rachelfranklin.com/event/rachel-franklin-for-the-baltimore-symphony-orchestra-inside-the-classics-32/ LOCATION:Music Center at Strathmore\, 5301 Tuckerman Ln\, North Bethesda\, MD\, 20852\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2024/12/BaltimoreSymphonyOrchestra.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260427T120000 DTEND;TZID=America/New_York:20260427T133000 DTSTAMP:20251221T230104Z CREATED:20251221T225900Z LAST-MODIFIED:20251221T230104Z UID:5043-1777291200-1777296600@rachelfranklin.com SUMMARY:Smithsonian Associates: Music Inspired by the Natural World\, Lecture 4 - Water\, Water Everywhere DESCRIPTION:https://smithsonianassociates.org/ticketing/programs/music-inspired-by-natural-world\n \n \n \n \n \n A painter can create entire worlds on a flat piece of paper. But where is a composer to start when seeking to represent the natural universe through sound? Centuries of exquisite nature-inspired concert works show just how well it can be done through direct imitation\, allegory\, and symbolism. Over time\, composers have fashioned powerful musical vocabularies that guide listeners to see harmony as visual image. \nIn a 4-session course\, popular speaker and concert pianist Rachel Franklin uses her unique live piano demonstrations and fascinating film clips to explore how such masters as Beethoven\, Mahler\, Wagner\, Vivaldi\, Holst\, Vaughan Williams\, Saint-Saëns\, and countless others composed beloved works that conjure the natural world. \nBritish-born Franklin has been a featured speaker for organizations including the Library of Congress and NPR\, exploring intersections among classical and jazz music\, film scores\, and the fine arts. \n——————————————————————————————————————————————— \nMighty oceans\, torrential rivers\, glittering fountains. Watery works abound across the concert repertoire. But how can music be wet? Can a composer ever truly recreate a sense of fluid motion? Voyage through the mightiest of seascapes\, Debussy’s La Mer; marvel at Liszt’s electrifying portrayal of St. Francis walking on water; shiver on the stony beaches of Britten’s “Sea Interludes\,” and delight in Resphigi’s sparkling images of Rome’s famous fountains. Also included are works by Smetana\, Mendelssohn and Tchaikovsky. URL:https://rachelfranklin.com/event/smithsonian-associates-music-inspired-by-the-natural-world-lecture-4-water-water-everywhere/ ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2025/12/NaturalWorld.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260425T190000 DTEND;TZID=America/New_York:20260425T193000 DTSTAMP:20250913T181958Z CREATED:20250913T181955Z LAST-MODIFIED:20250913T181958Z UID:4816-1777143600-1777145400@rachelfranklin.com SUMMARY:Rachel Franklin for the Baltimore Symphony Orchestra: Inside the Classics DESCRIPTION:https://www.bsomusic.org/inside-the-classics/\n \n \n \n \n \n Dr. Rachel Franklin is delighted to be the Baltimore Symphony Orchestra’s Strathmore Music Scholar-in-Residence. She gives all the BSO’s pre-concert presentations at their Bethesda\, MD venue\, Strathmore Hall as part of their “Inside the Classics” series. URL:https://rachelfranklin.com/event/rachel-franklin-for-the-baltimore-symphony-orchestra-inside-the-classics-31/ LOCATION:Music Center at Strathmore\, 5301 Tuckerman Ln\, North Bethesda\, MD\, 20852\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2024/12/BaltimoreSymphonyOrchestra.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260420T120000 DTEND;TZID=America/New_York:20260420T133000 DTSTAMP:20251221T225436Z CREATED:20251221T225326Z LAST-MODIFIED:20251221T225436Z UID:5037-1776686400-1776691800@rachelfranklin.com SUMMARY:Smithsonian Associates: Music Inspired by the Natural World\, Lecture 3 - Creatures of the Earth\, Sea\, and Sky DESCRIPTION:https://smithsonianassociates.org/ticketing/programs/music-inspired-by-natural-world\n \n \n \n \n \n A painter can create entire worlds on a flat piece of paper. But where is a composer to start when seeking to represent the natural universe through sound? Centuries of exquisite nature-inspired concert works show just how well it can be done through direct imitation\, allegory\, and symbolism. Over time\, composers have fashioned powerful musical vocabularies that guide listeners to see harmony as visual image. \nIn a 4-session course\, popular speaker and concert pianist Rachel Franklin uses her unique live piano demonstrations and fascinating film clips to explore how such masters as Beethoven\, Mahler\, Wagner\, Vivaldi\, Holst\, Vaughan Williams\, Saint-Saëns\, and countless others composed beloved works that conjure the natural world. \nBritish-born Franklin has been a featured speaker for organizations including the Library of Congress and NPR\, exploring intersections among classical and jazz music\, film scores\, and the fine arts. \n——————————————————————————————————————————————— \nThe depiction of living creatures is one of the most delightful but challenging aspects of the composer’s craft. Is it necessary to attempt a literal copy of an animal’s call and\, if not\, what musical device could successfully invoke the sound? Such works as Dvorak’s “American” string quartet\, Saint-Saëns’ Carnival of the Animals suite\, Vaughan Williams’ “The Lark Ascending\,” and Rimsky Korsakov’s “Flight of the Bumble Bee” are among many examples in the enchanting menagerie. URL:https://rachelfranklin.com/event/smithsonian-associates-music-inspired-by-the-natural-world-lecture-3-creatures-of-the-earth-sea-and-sky/ ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2025/12/NaturalWorld.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260416T190000 DTEND;TZID=America/New_York:20260416T193000 DTSTAMP:20250913T181912Z CREATED:20250913T181908Z LAST-MODIFIED:20250913T181912Z UID:4813-1776366000-1776367800@rachelfranklin.com SUMMARY:Rachel Franklin for the Baltimore Symphony Orchestra: Inside the Classics DESCRIPTION:https://www.bsomusic.org/inside-the-classics/\n \n \n \n \n \n Dr. Rachel Franklin is delighted to be the Baltimore Symphony Orchestra’s Strathmore Music Scholar-in-Residence. She gives all the BSO’s pre-concert presentations at their Bethesda\, MD venue\, Strathmore Hall as part of their “Inside the Classics” series. URL:https://rachelfranklin.com/event/rachel-franklin-for-the-baltimore-symphony-orchestra-inside-the-classics-30/ LOCATION:Music Center at Strathmore\, 5301 Tuckerman Ln\, North Bethesda\, MD\, 20852\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2024/12/BaltimoreSymphonyOrchestra.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260413T120000 DTEND;TZID=America/New_York:20260413T133000 DTSTAMP:20251221T225032Z CREATED:20251221T225027Z LAST-MODIFIED:20251221T225032Z UID:5033-1776081600-1776087000@rachelfranklin.com SUMMARY:Smithsonian Associates: Music Inspired by the Natural World\, Lecture 2 - Heavenly Marvels DESCRIPTION:https://smithsonianassociates.org/ticketing/programs/music-inspired-by-natural-world\n \n \n \n \n \n A painter can create entire worlds on a flat piece of paper. But where is a composer to start when seeking to represent the natural universe through sound? Centuries of exquisite nature-inspired concert works show just how well it can be done through direct imitation\, allegory\, and symbolism. Over time\, composers have fashioned powerful musical vocabularies that guide listeners to see harmony as visual image. \nIn a 4-session course\, popular speaker and concert pianist Rachel Franklin uses her unique live piano demonstrations and fascinating film clips to explore how such masters as Beethoven\, Mahler\, Wagner\, Vivaldi\, Holst\, Vaughan Williams\, Saint-Saëns\, and countless others composed beloved works that conjure the natural world. \nBritish-born Franklin has been a featured speaker for organizations including the Library of Congress and NPR\, exploring intersections among classical and jazz music\, film scores\, and the fine arts. \n——————————————————————————————————————————————— \nFranklin begins with perhaps the most greatly loved example of the natural world in concert music\, Beethoven’s 6th Symphony\, the “Pastoral.” Both allegorical and descriptive\, it creates an entire earthly landscape of peasants and animals\, harvesting\, stormy weather\, and golden sunlit fields. Following this triumph\, other composers such as Richard Strauss and Gustav Mahler led the way with further symphonic panoramas of mountainous and mystical terrains. Franklin also explores many representations of weather and seasons by Vivaldi\, Rachmaninoff\, Berlioz\, Janácek\, Milhaud\, Barber and more. URL:https://rachelfranklin.com/event/smithsonian-associates-music-inspired-by-the-natural-world-lecture-2-heavenly-marvels/ ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2025/12/NaturalWorld.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260406T120000 DTEND;TZID=America/New_York:20260406T133000 DTSTAMP:20251221T224455Z CREATED:20251221T224450Z LAST-MODIFIED:20251221T224455Z UID:5028-1775476800-1775482200@rachelfranklin.com SUMMARY:Smithsonian Associates: Music Inspired by the Natural World\, Lecture 1 - Earth: Its Creation\, Seasons\, and Landscapes DESCRIPTION:https://smithsonianassociates.org/ticketing/programs/music-inspired-by-natural-world\n \n \n \n \n \n A painter can create entire worlds on a flat piece of paper. But where is a composer to start when seeking to represent the natural universe through sound? Centuries of exquisite nature-inspired concert works show just how well it can be done through direct imitation\, allegory\, and symbolism. Over time\, composers have fashioned powerful musical vocabularies that guide listeners to see harmony as visual image. \nIn a 4-session course\, popular speaker and concert pianist Rachel Franklin uses her unique live piano demonstrations and fascinating film clips to explore how such masters as Beethoven\, Mahler\, Wagner\, Vivaldi\, Holst\, Vaughan Williams\, Saint-Saëns\, and countless others composed beloved works that conjure the natural world. \nBritish-born Franklin has been a featured speaker for organizations including the Library of Congress and NPR\, exploring intersections among classical and jazz music\, film scores\, and the fine arts. \n——————————————————————————————————————————————— \nFranklin begins with perhaps the most greatly loved example of the natural world in concert music\, Beethoven’s 6th Symphony\, the “Pastoral.” Both allegorical and descriptive\, it creates an entire earthly landscape of peasants and animals\, harvesting\, stormy weather\, and golden sunlit fields. Following this triumph\, other composers such as Richard Strauss and Gustav Mahler led the way with further symphonic panoramas of mountainous and mystical terrains. Franklin also explores many representations of weather and seasons by Vivaldi\, Rachmaninoff\, Berlioz\, Janácek\, Milhaud\, Barber and more. URL:https://rachelfranklin.com/event/smithsonian-associates-music-inspired-by-the-natural-world-lecture-1-earth-its-creation-seasons-and-landscapes/ ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2025/12/NaturalWorld.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260330T120000 DTEND;TZID=America/New_York:20260330T133000 DTSTAMP:20251221T223210Z CREATED:20251221T223049Z LAST-MODIFIED:20251221T223210Z UID:5024-1774872000-1774877400@rachelfranklin.com SUMMARY:Smithsonian Associates: Coming to America; European Musical Artists Meet the United States\, Lecture 4 - Émigrés in America DESCRIPTION:https://smithsonianassociates.org/ticketing/programs/coming-to-america\n \n \n \n \n \n Beethoven never made it to America\, but hundreds of important musicians and composers did. From early touring megastars like Paderewski—who traveled in his own private Pullman car—to successful refugee émigrés such as Rachmaninoff\, America has been drawing renowned musical talents since well before its Declaration of Independence. Dvorák directed a music conservatory in New York; Korngold wrote scores for Hollywood; Tchaikovsky marveled at the warmth of American hospitality; and Schoenberg played tennis regularly with Gershwin. \nIn a unique course\, popular speaker and concert pianist Rachel Franklin explores the siren call of America to musicians throughout the world. \nBritish-born Franklin has been a featured speaker for organizations including the Library of Congress and NPR\, exploring intersections among classical and jazz music\, film scores\, and the fine arts. \n——————————————————————————————————————————————— \nIn the early 20th century\, Europe experienced a mass exodus of artists and musicians escaping the horrors of Soviet oppression and Nazi persecution. Among them were some of the greatest composers of their time— Rachmaninoff\, Stravinsky\, Korngold\, Bartók\, Milhaud\, Schoenberg\, and many others. Some of these composers struggled in a new world while others built brilliant new careers here. Each of them shared their genius with America and left an indelible mark on an evolving culture that welcomed and absorbed their great gifts. Works featured include excerpts from Korngold’s film scores\, Bartok’s Concerto for Orchestra\, Stravinsky’s Ebony Concerto written for Benny Goodman\, and music by Rachmaninoff\, Kurt Weill\, and others. URL:https://rachelfranklin.com/event/smithsonian-associates-coming-to-america-european-musical-artists-meet-the-united-states-lecture-4-emigres-in-america/ ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2025/12/TimeMagazine_IgorStravinsky.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260328T190000 DTEND;TZID=America/New_York:20260328T193000 DTSTAMP:20250913T181828Z CREATED:20250913T181824Z LAST-MODIFIED:20250913T181828Z UID:4812-1774724400-1774726200@rachelfranklin.com SUMMARY:Rachel Franklin for the Baltimore Symphony Orchestra: Inside the Classics DESCRIPTION:https://www.bsomusic.org/inside-the-classics/\n \n \n \n \n \n Dr. Rachel Franklin is delighted to be the Baltimore Symphony Orchestra’s Strathmore Music Scholar-in-Residence. She gives all the BSO’s pre-concert presentations at their Bethesda\, MD venue\, Strathmore Hall as part of their “Inside the Classics” series. URL:https://rachelfranklin.com/event/rachel-franklin-for-the-baltimore-symphony-orchestra-inside-the-classics-29/ LOCATION:Music Center at Strathmore\, 5301 Tuckerman Ln\, North Bethesda\, MD\, 20852\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2024/12/BaltimoreSymphonyOrchestra.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260323T120000 DTEND;TZID=America/New_York:20260323T133000 DTSTAMP:20251221T222921Z CREATED:20251221T222455Z LAST-MODIFIED:20251221T222921Z UID:5016-1774267200-1774272600@rachelfranklin.com SUMMARY:Smithsonian Associates: Coming to America; European Musical Artists Meet the United States\, Lecture 3 - Building Legacies DESCRIPTION:https://smithsonianassociates.org/ticketing/programs/coming-to-america\n \n \n \n \n \n Beethoven never made it to America\, but hundreds of important musicians and composers did. From early touring megastars like Paderewski—who traveled in his own private Pullman car—to successful refugee émigrés such as Rachmaninoff\, America has been drawing renowned musical talents since well before its Declaration of Independence. Dvorák directed a music conservatory in New York; Korngold wrote scores for Hollywood; Tchaikovsky marveled at the warmth of American hospitality; and Schoenberg played tennis regularly with Gershwin. \nIn a unique course\, popular speaker and concert pianist Rachel Franklin explores the siren call of America to musicians throughout the world. \nBritish-born Franklin has been a featured speaker for organizations including the Library of Congress and NPR\, exploring intersections among classical and jazz music\, film scores\, and the fine arts. \n——————————————————————————————————————————————— \nMany mighty European musicians and composers helped to build the greatest institutions of American musical life. Gustav Mahler served as the tenth music director of the New York Philharmonic; Serge Koussevitzky was music director of the Boston Symphony Orchestra; Antonin Dvorák directed the National Conservatory of Music in New York City; Leopold Stokowski served as artistic director of the Philadelphia Orchestra and appeared in Disney’s Fantasia. Franklin reviews the significant contributions of European composers to musical life in America and how they continue to shape our cultural world today. Works featured include Dvorak’s “New World” Symphony and excerpts from the score of Fantasia\, plus archival media of Toscanini and other early stars of the American classical music stage. URL:https://rachelfranklin.com/event/smithsonian-associates-coming-to-america-european-musical-artists-meet-the-united-states-lecture-3-building-legacies/ ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2025/12/TimeMagazine_IgorStravinsky.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260316T120000 DTEND;TZID=America/New_York:20260316T133000 DTSTAMP:20251221T221957Z CREATED:20251221T221742Z LAST-MODIFIED:20251221T221957Z UID:5011-1773662400-1773667800@rachelfranklin.com SUMMARY:Smithsonian Associates: Coming to America; European Musical Artists Meet the United States\, Lecture 2 - Traveling Virtuosi DESCRIPTION:https://smithsonianassociates.org/ticketing/programs/coming-to-america\n \n \n \n \n \n Beethoven never made it to America\, but hundreds of important musicians and composers did. From early touring megastars like Paderewski—who traveled in his own private Pullman car—to successful refugee émigrés such as Rachmaninoff\, America has been drawing renowned musical talents since well before its Declaration of Independence. Dvorák directed a music conservatory in New York; Korngold wrote scores for Hollywood; Tchaikovsky marveled at the warmth of American hospitality; and Schoenberg played tennis regularly with Gershwin. \nIn a unique course\, popular speaker and concert pianist Rachel Franklin explores the siren call of America to musicians throughout the world. \nBritish-born Franklin has been a featured speaker for organizations including the Library of Congress and NPR\, exploring intersections among classical and jazz music\, film scores\, and the fine arts. \n——————————————————————————————————————————————— \nAdelina Patti and Anton Rubinstein\, Old Arpeggio and the Swedish Nightingale: Franklin dives into the entertaining mix of hucksterism and high art that characterizes 19th-century American musical entertainment as she follows various traveling virtuosi across the country as they astonish and captivate their audiences. While much of their earlier repertory has vanished forever from concert programs\, these intrepid performers helped to glamorize classical music and laid solid foundations for the more discerning listeners of the future. Works include music by Gottschalk\, Wieniawski\, and Paderewski. URL:https://rachelfranklin.com/event/smithsonian-associates-coming-to-america-european-musical-artists-meet-the-united-states-lecture-2-traveling-virtuosi/ ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2025/12/TimeMagazine_IgorStravinsky.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260312T190000 DTEND;TZID=America/New_York:20260312T193000 DTSTAMP:20250913T181738Z CREATED:20250913T181734Z LAST-MODIFIED:20250913T181738Z UID:4810-1773342000-1773343800@rachelfranklin.com SUMMARY:Rachel Franklin for the Baltimore Symphony Orchestra: Inside the Classics DESCRIPTION:https://www.bsomusic.org/inside-the-classics/\n \n \n \n \n \n Dr. Rachel Franklin is delighted to be the Baltimore Symphony Orchestra’s Strathmore Music Scholar-in-Residence. She gives all the BSO’s pre-concert presentations at their Bethesda\, MD venue\, Strathmore Hall as part of their “Inside the Classics” series. URL:https://rachelfranklin.com/event/rachel-franklin-for-the-baltimore-symphony-orchestra-inside-the-classics-28/ LOCATION:Music Center at Strathmore\, 5301 Tuckerman Ln\, North Bethesda\, MD\, 20852\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2024/12/BaltimoreSymphonyOrchestra.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260309T120000 DTEND;TZID=America/New_York:20260309T133000 DTSTAMP:20251221T220924Z CREATED:20251221T220758Z LAST-MODIFIED:20251221T220924Z UID:5003-1773057600-1773063000@rachelfranklin.com SUMMARY:Smithsonian Associates: Coming to America; European Musical Artists Meet the United States\, Lecture 1 - Beethoven Arrives DESCRIPTION:https://smithsonianassociates.org/ticketing/programs/coming-to-america\n \n \n \n \n \n Beethoven never made it to America\, but hundreds of important musicians and composers did. From early touring megastars like Paderewski—who traveled in his own private Pullman car—to successful refugee émigrés such as Rachmaninoff\, America has been drawing renowned musical talents since well before its Declaration of Independence. Dvorák directed a music conservatory in New York; Korngold wrote scores for Hollywood; Tchaikovsky marveled at the warmth of American hospitality; and Schoenberg played tennis regularly with Gershwin. \nIn a unique course\, popular speaker and concert pianist Rachel Franklin explores the siren call of America to musicians throughout the world. \nBritish-born Franklin has been a featured speaker for organizations including the Library of Congress and NPR\, exploring intersections among classical and jazz music\, film scores\, and the fine arts. \n——————————————————————————————————————————————— \nBeethoven’s music made its American debut in an 1805 concert in Charleston\, South Carolina\, but the composer wasn’t there to enjoy it and never had the chance to visit the United States. Nonetheless\, Beethoven’s revolutionary style of music and his evolution as an artistic icon would go on to permeate every aspect of American culture. As musical societies were springing up everywhere\, Beethoven became the bust of choice on every music-lover’s mantelpiece. Works include the composer’s First Symphony\, plus music by Thomas Jefferson\, Charles Theodore Pachelbel\, and delightful ballades\, jigs\, and emigration songs of the period. URL:https://rachelfranklin.com/event/smithsonian-associates-coming-to-america-european-musical-artists-meet-the-united-states-lecture-1-beethoven-arrives/ ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2025/12/TimeMagazine_IgorStravinsky.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260308T140000 DTEND;TZID=America/New_York:20260308T143000 DTSTAMP:20250913T181644Z CREATED:20250913T181640Z LAST-MODIFIED:20250913T181644Z UID:4808-1772978400-1772980200@rachelfranklin.com SUMMARY:Rachel Franklin for the Baltimore Symphony Orchestra: Inside the Classics DESCRIPTION:https://www.bsomusic.org/inside-the-classics/\n \n \n \n \n \n Dr. Rachel Franklin is delighted to be the Baltimore Symphony Orchestra’s Strathmore Music Scholar-in-Residence. She gives all the BSO’s pre-concert presentations at their Bethesda\, MD venue\, Strathmore Hall as part of their “Inside the Classics” series. URL:https://rachelfranklin.com/event/rachel-franklin-for-the-baltimore-symphony-orchestra-inside-the-classics-27/ LOCATION:Music Center at Strathmore\, 5301 Tuckerman Ln\, North Bethesda\, MD\, 20852\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2024/12/BaltimoreSymphonyOrchestra.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260228T190000 DTEND;TZID=America/New_York:20260228T193000 DTSTAMP:20250913T181526Z CREATED:20250913T181522Z LAST-MODIFIED:20250913T181526Z UID:4806-1772305200-1772307000@rachelfranklin.com SUMMARY:Rachel Franklin for the Baltimore Symphony Orchestra: Inside the Classics DESCRIPTION:https://www.bsomusic.org/inside-the-classics/\n \n \n \n \n \n Dr. Rachel Franklin is delighted to be the Baltimore Symphony Orchestra’s Strathmore Music Scholar-in-Residence. She gives all the BSO’s pre-concert presentations at their Bethesda\, MD venue\, Strathmore Hall as part of their “Inside the Classics” series. URL:https://rachelfranklin.com/event/rachel-franklin-for-the-baltimore-symphony-orchestra-inside-the-classics-26/ LOCATION:Music Center at Strathmore\, 5301 Tuckerman Ln\, North Bethesda\, MD\, 20852\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2024/12/BaltimoreSymphonyOrchestra.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260214T193000 DTEND;TZID=America/New_York:20260214T203000 DTSTAMP:20250913T190855Z CREATED:20250913T190851Z LAST-MODIFIED:20250913T190855Z UID:4843-1771097400-1771101000@rachelfranklin.com SUMMARY:Rachel Franklin performing Beethoven's Piano Concerto No. 4 with the Washington Sinfonietta DESCRIPTION:https://washingtonsinfonietta.org/concerts URL:https://rachelfranklin.com/event/rachel-franklin-performing-beethovens-piano-concerto-no-4-with-the-washington-sinfonietta/ LOCATION:The Washington Sinfonietta\, PO Box 6740\, Falls Church\, VA\, 22046\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2025/01/Beethoven.jpg ORGANIZER;CN="The Washington Sinfonietta":MAILTO:washington.sinfonietta.ws@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260209T120000 DTEND;TZID=America/New_York:20260209T133000 DTSTAMP:20251221T220044Z CREATED:20251221T220038Z LAST-MODIFIED:20251221T220044Z UID:4999-1770638400-1770643800@rachelfranklin.com SUMMARY:Smithsonian Associates: Women Who Shaped the Musical World\, Lecture 4 - Women of the Ballet Russe DESCRIPTION:https://smithsonianassociates.org/ticketing/programs/women-who-shaped-musical-world\n \n \n \n \n \n Throughout the history of Western music\, men have claimed most of the spotlight and accolades as performers\, composers\, teachers\, impresarios\, patrons\, and instrument makers. Less attention has been paid to the scores of brilliant creative women who played these roles—along with many others—and who were relegated to the less brightly lit corners of the musical word. \nPopular speaker and concert pianist Rachel Franklin places them center stage as she examines their talent\, grit\, intellect\, and drive\, without which many of the most celebrated musical figures might have been significantly less successful\, and the musical repertoire far less rich. She brings these women and their often-untold stories to life\, showcasing them with live piano performances and historical and contemporary media clips. \nBritish-born Franklin has been a featured speaker for organizations including the Library of Congress and NPR\, exploring intersections among classical and jazz music\, film scores\, and the fine arts. \n——————————————————————————————————————————————— \nSerge Diaghilev’s Ballet Russe is venerated for its great male innovators such as Nijinsky\, Bakst\, and Stravinsky. But many of its most extraordinary artists and contributors were women. Nijinsky’s sister Bronislava Nijinska was one of ballet’s most distinguished creators\, both as a dancer and choreographer. The avant-garde artist Natalia Goncharova designed groundbreaking costumes and scenery for ballets such as the Firebird and the Golden Cockerel. And the brilliant\, charismatic heiress Ida Rubinstein braved incarceration in an asylum by her horrified family to become one of the most fearless modern dancers in Paris\, acting\, commissioning\, and eventually directing her own ballet company with Nijinsky as her choreographer. URL:https://rachelfranklin.com/event/smithsonian-associates-women-who-shaped-the-musical-world-lecture-4-women-of-the-ballet-russe/ ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2025/12/WomenMusicalWorld.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260205T190000 DTEND;TZID=America/New_York:20260205T193000 DTSTAMP:20250913T181441Z CREATED:20250913T181437Z LAST-MODIFIED:20250913T181441Z UID:4804-1770318000-1770319800@rachelfranklin.com SUMMARY:Rachel Franklin for the Baltimore Symphony Orchestra: Inside the Classics DESCRIPTION:https://www.bsomusic.org/inside-the-classics/\n \n \n \n \n \n Dr. Rachel Franklin is delighted to be the Baltimore Symphony Orchestra’s Strathmore Music Scholar-in-Residence. She gives all the BSO’s pre-concert presentations at their Bethesda\, MD venue\, Strathmore Hall as part of their “Inside the Classics” series. URL:https://rachelfranklin.com/event/rachel-franklin-for-the-baltimore-symphony-orchestra-inside-the-classics-25/ LOCATION:Music Center at Strathmore\, 5301 Tuckerman Ln\, North Bethesda\, MD\, 20852\, United States ATTACH;FMTTYPE=image/jpeg:https://rachelfranklin.com/wp-content/uploads/2024/12/BaltimoreSymphonyOrchestra.jpg END:VEVENT END:VCALENDAR